line

[I] Whether European, Chinese or Brazilian, art critics and commentators of Partenheimer’s work often point to the meditative, aerial, carefree, imaginative and even lyrical nature of his drawings and paintings, never failing to mention the enigmatic balance which makes his work and the silence that appears to inhabit it so highly recognizable (consider the Roman Diary, Carmen, De Coloribus, and Zur Grammatik series or Die fragilen…